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doc#109 | subjective control of formal development. | Again | , the composer must select his own materials |
doc#22 | Asian waters as a useless gesture. </p><p> | Again | and again it asked the Communists to "freeze |
doc#139 | surprise. </p><p> "What's he doing there"? </p><p> | Again | Dill hesitated. "Dealing faro". "Dealing |
doc#144 | went in, pulling it shut behind him. </p><p> | Again | he stood in the darkness listening, but |
doc#105 | <p> And how did he feel about modern art? | Again | Steinberg was cautious and replied with |
doc#136 | chest; there was no doubt he was dying. | Again | we waited for Montero. This time he delayed |