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doc#147 | them. It was a box. But they could turn | and | escape to the east. </p><p> Greg pushed the |
doc#147 | the enemy. The shapes were unmistakable | and | the Rising Suns were showing up, slightly |
doc#147 | across the switches that turned on the guns | and | gun camera and gun sight. The circle with |
doc#147 | switches that turned on the guns and gun camera | and | gun sight. The circle with the dot in the |
doc#147 | to make a high-speed climbing turn attack | and | a break-away that would not take them into |
doc#147 | Greg slammed his throttle to the fire wall | and | rammed up the RPM, and the engine responded |
doc#147 | to the fire wall and rammed up the RPM, | and | the engine responded as if it had been |
doc#147 | home". </p><p> He hauled back on the stick | and | felt his cheeks sag. Out of the corner |
doc#147 | eye, he watched his wingman move out a bit | and | shoot up with him. Perfect, he thought. |
doc#147 | closure, the approach from below, the side, | and | ahead, there would be only a moment when |
doc#147 | five of the radii in his circular sight | and | then added another. The enemy did not veer |
doc#147 | on the stick trigger. The plane rumbled | and | slowed. Six red lines etched their way |
doc#147 | red lines etched their way into the gray | and | vanished. As if drawn by a wire the enemy |
doc#147 | placed him near the overcast, almost inverted | and | heading up into the clouds. His speed was |
doc#147 | , stay clear, he prayed. He pushed stick | and | rudder and entered the overcast on his |
doc#147 | clear, he prayed. He pushed stick and rudder | and | entered the overcast on his back. He fought |
doc#147 | of vertigo. He had no idea which was up | and | which was down. He held the controls where |
doc#147 | they had been. Sweat popped out over him | and | he felt the slick between his palm and |
doc#147 | him and he felt the slick between his palm | and | the stick grip. His air speed dropped until |
doc#148 | I would have been stymied on what to do, | and | now I understand why they are classics; |