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doc#100 | majority of these people are of Anglo-Saxon | or | Celtic descent. This is the only case in |
doc#100 | say that they are content to earn a half | or | a third as much as they could up North |
doc#101 | above, no attention was paid by statesman | or | scholar to an idea of state responsibility |
doc#101 | whether with the British navy ruling the seas | or | with the City of London ruling world finance |
doc#101 | nations of the non-Soviet world. For better | or | for worse, we all now live in welfare states |
doc#102 | margin of safety? Will the danger increase | or | decrease? </p><p> I have just asked these |
doc#102 | " that could start a war -- accidentally | or | by design -- and in the command centers |
doc#102 | William W. Wisman, SAC's senior controller. He | or | his deputy or one of their seven assistants |
doc#102 | clear and quick. No question ruffles him | or | causes him to hesitate. </p><p> Wisman, who |
doc#102 | emergencies the SAC commander, Gen. Thomas Powern, | or | his deputies and their staff would occupy |
doc#102 | on alert near their "positive control ( | or | fail-safe) points", the spots on the map |
doc#103 | is not a lope, it is not done with style | or | verve. It is the gait of the human who |
doc#103 | soft gray tree-clumps. Nothing appalling | or | horrible rushed upon these men. Only there |
doc#103 | it did not. There might have been a fence | or | a house just over the next rise; only -- |
doc#103 | error or waste. Any organism that falters | or | misperceives the signals or weakens is |
doc#104 | two is a score of buildings which somehow | or | other have survived and which naturally |
doc#104 | flights of steps descend into the water | or | onto still more terraces barely above the |
doc#104 | practically speaking there are no museums | or | libraries or, for that matter, hardly any |
doc#104 | design as intricate as that in the carpet | or | miniature, with the melodic line like the |
doc#104 | , with the melodic line like the painted | or | woven line often flowing into an arabesque |