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doc#105 | the Frankfurt Kulturbund Orchestra, which | also | gave guest performances in other German |
doc#105 | the Pittsburgh Symphony. Since 1944 he has | also | conducted regularly at the San Francisco |
doc#105 | </p><p> The forthcoming season in Pittsburgh | also | promises to be of unusual interest. There |
doc#105 | Concertante. </p><p> "And next year we will do -- | also | a Ford commission -- a piano concerto by |
doc#105 | Mahler and Bruckner". </p><p> He added that he | also | stresses the works of these favorite masters |
doc#107 | CAPABLE of enduring friendships, they were | also | stout controversialists, who could write |
doc#108 | abrupt changes affecting Southern life, it | also | points up the non-representation of urbanism |
doc#109 | form is fidelity to the experience, a gauge | also | accepted by the abstract expressionist |
doc#109 | mechanism. Musicians who use the chance method | also | exclude subjective control of formal development |
doc#109 | experience shape itself. </p><p> Midi Garth | also | believes in subjective continuity that |
doc#109 | metamorphosis must come first. </p><p> Though he is | also | concerned with freeing dance from pedestrian |
doc#109 | the temporal organization of the dance but | also | its spatial design, special slips designating |
doc#110 | one wrong thus undoing another. There was | also | a lesson, one that has served ever since |
doc#111 | depends not only on the external world, but | also | on the precise pattern of behavior of the |
doc#111 | primarily of our own doing. And yet we obviously | also | believe that the avoidance of the disaster |
doc#111 | effective. </p><p> I think that we are here | also | talking of the kind of fear that a young |
doc#111 | dealing directly with natural phenomena has | also | changed. Even in domains where detailed |
doc#112 | is because there is not only darkness but | also | light that our situation becomes inexplicable |
doc#112 | is not such clarity. The question would | also | be removed if we believed in the contrary |
doc#112 | where we have both dark and light we have | also | the inexplicable. The key word in my plays |