This action may take several minutes for large corpora, please wait.
doc#111 | parts are effective. </p><p> I think that | we | are here also talking of the kind of fear |
doc#111 | empirically successful patterns in toto because | we | have such a minimal understanding of their |
doc#111 | are similarly based on voodoo, but here | we | often lack even the empirically successful |
doc#111 | cause and effect. Small wonder, then, that | we | fear. </p><p> The achievements which dispelled |
doc#111 | has, I believe, been reduced, not because | we | have gained any control over this misfortune |
doc#111 | over this misfortune, but precisely because | we | have learned that we have so little control |
doc#111 | but precisely because we have learned that | we | have so little control over it. In fact |
doc#112 | before the hour. His letter had suggested | we | meet at my hotel at noon on Sunday, and |
doc#112 | defeat, irrelevant to the social crises | we | face? Or is it relevant because it teaches |
doc#112 | is at least one thing I can find out when | we | meet. </p><p> Beckett's appearance is rough |
doc#112 | thing that art holds itself to be"? But now | we | can keep it out no longer, because we have |
doc#112 | now we can keep it out no longer, because | we | have come into a time when "it invades |
doc#112 | the end of thinking and the end of art? If | we | look at recent art we find it preoccupied |
doc#112 | the end of art? If we look at recent art | we | find it preoccupied with form. Beckett's |
doc#112 | art that it confronts us with something | we | cannot clarify, demanding that the viewer |
doc#112 | of Glory, dominated all the scene where | we | sat. The Boulevard de la Madeleine, the |
doc#112 | one saved and the other damned. How can | we | make sense of this division? In classical |
doc#112 | clarity. The question would also be removed if | we | believed in the contrary -- total salvation |
doc#112 | the contrary -- total salvation. But where | we | have both dark and light we have also the |
doc#112 | salvation. But where we have both dark and light | we | have also the inexplicable. The key word |