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doc#111 | during this century, did develop during | the | eighteenth and nineteenth centuries, and |
doc#112 | a man is not the same as his writing: in | the | last analysis, the questions had to be |
doc#112 | from his forehead, standing so high that | the | top falls gently over, as if to show that |
doc#112 | form. Until recently, art has withstood | the | pressure of chaotic things. It has held |
doc#112 | and perhaps also the pigs". </p><p> But do | the | plays deal with the same facets of experience |
doc#112 | for orphans, and the third for relief for | the | war refugees. One does not have to look |
doc#113 | group than their attitude toward sex. For | the | beatnik, like the hipster, is in opposition |
doc#113 | yield to it? "Most often", she says, "it's | the | monogamous relationship that is <bital>dis<eital>honest |
doc#113 | part what is behind this sexual revolution: | the | craving for sensation for its own sake, |
doc#113 | do not count, for they hold the laws of | the | state null and void. They feel they are |
doc#114 | sure. </p><p> There were more indications by | the | mid-twentieth century. I leave it to the |
doc#114 | derive their just powers from the consent of | the | governed". The phrase "consent of the governed |
doc#114 | burden ye must stagger with alone, And reap | the | bitter harvest which ye yourselves have |
doc#114 | finds it again in Thomas Nelson Page) to | the | effect that the Mayflower on its second |
doc#114 | Georgia, who had never attempted to restrain | the | importation of slaves, and who on the contrary |
doc#114 | of the country? Isn't it a bit odd that | the | three states of Southern New England (Massachusetts |
doc#114 | provided by these same immigrants, from whom | the | old families wished to segregate their |
doc#115 | experienced, the observation is sharp and | the | imagination lively. The young poet-painter |
doc#115 | poet-painter reproduces the French life of | the | streets; he tells stories of the Thousand |
doc#115 | Immortal", which at once took rank among | the | finest poems ever written in the Swedish |