Susanne
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doc#108 south". Not a single Southern author, major or minor, has made the urban problems of an
doc#108 more masterfully than it has ever been, or could ever be, done. He has made it his
doc#109 and intensities. The composer may reverse or invert the order of his original set of
doc#109 order of his original set of intervals ( or rhythms or dynamic changes). He may even
doc#109 his original set of intervals (or rhythms or dynamic changes). He may even alter the
doc#109 order his elements by will, either rational or inspired. The system works as an impersonal
doc#109 of the body succeeded by a violent leap; or it may involve more subtle distinctions
doc#109 distinctions: the sway may be gradually minimized or enlarged, its rhythmic emphasis may be
doc#109 rhythmic emphasis may be slightly modified, or it may be transferred to become a movement
doc#109 transferred to become a movement of only the arms or the head. Even the least alteration will
doc#109 may be analytic, as it is for Miss Litz, or spontaneous, as it is for Merle Marsicano
doc#109 in terms of subtle variations of spatial or temporal patterns. The design is determined
doc#109 color, in which case changes in the light or color will set off a kaleidescope of visual
doc#109 because they are uninhibited by emotional bias or purposive drive. But the metamorphosis
doc#109 the victim may do a pirouette, sit down, or offer his assailant a fork and spoon. Events
doc#109 reason. Their consequences are irrelevant -- or there are no consequences at all. </p><p>
doc#110 sovereign citizens that should continue to live, or an association of sovereign states that
doc#110 states that must fall prey either to "anarchy or despotism". </p><p> Much as he abhorred slavery
doc#110 decide independently whether to continue or end it. Though his election was interpreted
doc#111 warmth of a fire had to await Lavoisier or the buoyant protection of a boat the formulations