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doc#108 | author, major or minor, has |
doc#108 | ever been, or could ever be |
doc#109 | composer may reverse or invert the order |
doc#109 | of intervals ( or rhythms or dynamic |
doc#109 | (or rhythms or dynamic changes) |
doc#109 | , either rational or inspired. The |
doc#109 | violent leap; or it may involve |
doc#109 | be gradually minimized or enlarged, its |
doc#109 | slightly modified, or it may be |
doc#109 | only the arms or the head. |
doc#109 | Miss Litz, or spontaneous, as |
doc#109 | variations of spatial or temporal patterns. |
doc#109 | in the light or color will set |
doc#109 | by emotional bias or purposive drive. |
doc#109 | sit down, or offer his assailant |
doc#109 | are irrelevant -- or there are no |
doc#110 | to live, or an association of |
doc#110 | to "anarchy or despotism". </p> |
doc#110 | whether to continue or end it. |
doc#111 | to await Lavoisier or the buoyant protection |