Susanne
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doc#109 by those of Jackson Pollock. At one time she felt impelled to make dances that "moved
doc#109 the audience, not at each other. He lifts her , puts her down, and walks off, neither
doc#109 audience, not at each other. He lifts her, puts her down, and walks off, neither pleased nor
doc#112 Racine's Phedre is sealed from the beginning: she will proceed into the dark. As she goes
doc#112 beginning: she will proceed into the dark. As she goes, she herself will be illuminated.
doc#112 will proceed into the dark. As she goes, she herself will be illuminated. At the beginning
doc#112 illuminated. At the beginning of the play she has partial illumination and at the end
doc#112 has partial illumination and at the end she has complete illumination, but there has
doc#112 but there has been no question but that she moves toward the dark. That is the play
doc#113 succession of broken marriages, the abortions she has had and finally confesses that she
doc#113 abortions she has had and finally confesses that she loves sex and sees no reason why she must
doc#113 that she loves sex and sees no reason why she must justify her passion. If it is an honest
doc#113 it is an honest feeling, then why should she not yield to it? "Most often", she says
doc#113 should she not yield to it? "Most often", she says, "it's the monogamous relationship
doc#113 pyschiatrist who disapproves of her life. She finds married life stifling and every prolonged
doc#113 analysis and all-night sessions of sex that she was beginning to crack up. What obsessions
doc#113 beginning to crack up. What obsessions had she picked up during these long nights of talk
doc#126 manage to keep track of a Bombus queen after she has left her feeding place, we may discover
doc#126 may discover the snug little hideout which she has fixed up for herself when she woke
doc#126 which she has fixed up for herself when she woke up from her winter sleep. As befits