Susanne
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doc#147 when he leveled off just above the trees. The opposing aircraft continued to come on.
doc#147 it, Greg knew they had found the enemy. The shapes were unmistakable and the Rising
doc#147 on the guns and gun camera and gun sight. The circle with the dot in the center showed
doc#147 engine responded as if it had been waiting. The clearly identifiable enemy continued on
doc#147 his circular sight and then added another. The enemy did not veer. It did not seem possible
doc#147 Greg's fingers closed on the stick trigger. The plane rumbled and slowed. Six red lines
doc#147 second on the engine section of the plane. The Jap's propeller flew off in pieces. A large
doc#148 Orleans' Vieux Carre, the old French Quarter. The arrangement I had with him was to work
doc#148 had with him was to work four hours a day. The rest of the time I devoted to painting
doc#148 give me time to paint I accepted. </p><p> The arrangement turned out to be excellent.
doc#148 eyes were waiting around the next corner. The very faces of the people bore this expectation
doc#148 accustomed to studying the physical body. The true artist is like one of those scientists
doc#148 can reconstruct an animal's entire body. The artist looks at an ankle, a calf, a bosom
doc#148 store she did not switch on the lights. The cavernous depth, cluttered with antiques